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Caustic Grip : The Descent Remixes [​Ξ​nimapod Contributions] (Semi​-​Remastered)

by Caustic Grip

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1.
Caustic Grip : Caustic ypPARB : 100 BPM 06:52
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...Where secrets burrow straight into the skin...
2.
Caustic Grip : Dredge [Cold Dookie Mix] : ??? BPM 01:47
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3.
Caustic Grip : Just Jiving [Enimapod Improvisation] : 100 BPM 08:37
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[Instrumental]
4.
Caustic Grip : A Dream Of Dark And Troubling Things [Sweet Dreams Mix] : 100 BPM 02:48
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[Instrumental]
5.
Caustic Grip : The Descent [Downward Drilling Mix] : 120 BPM 15:00
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Low, low down, Our secrets buried deep beneath the ground, Accept this descent, Our bodies crawling down towards the end. Deep, Deep down, As death returns us to the earth we are bound. After all this time, After all is lost, We reach our hands For the dying sun. Stretching to the heavens But still, I must insist That all descends And heaven doesn't exist Low, low down, Our secrets buried deep beneath the ground, Accept this descent, Our bodies crawling down towards the end. Deep, Deep down, As death returns us to the earth we are bound.

about

Over the past couple months, I've noodled away at creating some weird, math-rock influenced mixes of tracks for the then-upcoming album for Scarlett Viney's solo project - Caustic Grip, - "The Descent"

This reflects the style that I've been headed in for some time, wherein the experimental structures & rhythms of Math-Rock are combined with the soundscapes & groove-heavy nature of 80's-90's EBM/Industrial Dance. The term that I've developed for this sound is, "Math & Body."

Such aspects can be found most prominantly in the two-track combo, "AM + The Descent," where Idunno how many fraggin' time signatures are in that track, and the entire structure is gutted out & messed with, but y'can still dance to most of it.


--

Note as of 13/July/2021: Uh... the mastering on this thing really sucked.

I'm a bit too lazy to go back and re-render the first track, since I'm pretty sure I screwed it up real bad by doing a cruddy attempt at adding high-end by duplicating the main render and high-pass-filtering it, then putting the two bits together. However, the tracks are now (hopefully) at somewhat of a consistent level now, since I know a slight bit more about mastering than I did when I noodled these out in late high-school.

Also, I fixed the deadname crap, that too.

Anyways, 'Hope ya'll enjoy anyways.

credits

released November 25, 2019

All of these tracks are based on materials sourced from original tracks by Scarlett Viney of Caustic Grip. Certain samples have been taken from other sources & manipulated.

causticgrip.bandcamp.com


"I would like to acknowledge that all music by Caustic Grip is created and performed on the land of the Wurundjeri people of the Kulin nation. Sovereignty has never been ceded."
- Scarlett Viney, as mentioned alongside every Caustic Grip release.

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Enimapod

Current Nickname: ΞNIMAPOD and the Grey Asexual Furries from Frownland

Experimental Industrial/EBM rooted stuffs, live from yo mommas house.

No-Wipe Wave; Don't forget to sparkle.

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